Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Johann Wilhelm Preyer
nuts and a glass on a marble ledge

ID: 97816

Johann Wilhelm Preyer nuts and a glass on a marble ledge
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Johann Wilhelm Preyer nuts and a glass on a marble ledge


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Johann Wilhelm Preyer

painted A Still Life with Peaches and Grapes on a Marble Ledge in 1803-1889  Related Paintings of Johann Wilhelm Preyer :. | Grapes | A Still Life with Peaches and Grapes on a Marble Ledge | Trauben | Grapes peaches and plums on a marble ledge | A Still Life with Peaches and Grapes on a Marble Ledge |
Related Artists:
Michele Rocca
(1671-died after 1751) was an Italian painter of the Baroque period. He was born at Parma and practised in Rome, and died some time after 1751. He was also called also Parmigiano the younger or Michele da Parma. He worked in the manner of Pietro da Cortona.
Vital Jean De Gronckel
Vital Jean de Gronckel (1820 - 1890, Belgian)
VROOM, Hendrick Cornelisz.
Dutch Baroque Era Painter, ca.1563-1640. He was one of the founders of Dutch marine painting. Painter and draughtsman. By his own account, he received his early training in Delft, home of his mother's family. Van Mander reports that Hendrick's stepfather, like his father a ceramic artist, forced him to work as a decorator of ceramic vessels, which caused the young artist to leave home and embark on extensive travels in Spain and Italy. After working for ecclesiastical patrons in Florence and Rome, he was employed for at least two years (c. 1585-7) by Cardinal Ferdinando de' Medici, who in October 1587 succeeded Francesco I as Grand Duke of Tuscany. Ferdinando's keen interest in ships and the navy seems to have been a determining factor in Vroom's choice of subject-matter. According to Lanzi, he was known in Rome as 'Lo Spagnolo' (since he had arrived there from Spain). Among his earliest works may be a group of marine paintings attributed to him (Rome, Villa Colonna). His friendship in Rome with Paul Bril, mentioned by van Mander, had no effect on Hendrick's painting style, but Bril's influence is discernible in a group of landscape drawings






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